The media company aims to drive production and entertainment opportunities to cities outside of Hollywood.
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Gallery: AAFCA at TIFF
The African American Film Critics Association (AAFCA) celebrated another great year of cinema at the Toronto International Film Festival with its annual luncheon at David Chang’s Momofuku Noodle Bar. The … Read More “Gallery: AAFCA at TIFF”
Review: ‘It: Chapter Two’
Pennywise the horrific clown is back to terrorize the town of Derry, New Hampshire in “IT: Chapter Two”. However, his reemergence, both in Derry and on the big screen, while … Read More “Review: ‘It: Chapter Two’”
Review: ‘Once Upon a Time in Hollywood’
“Once Upon A Time In Hollywood” is Quentin Tarantino’s terrific, painstakingly poignant, and often hilariously depicticton of Hollywood on the brink of change and its inevitable loss of innocence.
Author Tim EstilozPosted on No comment ‘Rocketman’ soars musically with a star-making turn by Taron Egerton ‘Rocketman’ soars musically with a star-making turn by Taron Egerton
“Rocketman” is truly a spectacular musical tribute to an iconic and equally spectacular performer on stage, who sadly had a less than spectacular private life.
‘Godzilla: King of the Monsters” is god-awful
“Godzilla: King of the Monsters” gives the audience exactly what it expects – kaiju fights and little else.
Author Tim EstilozPosted on No comment ‘Brightburn’ flips the superhero genre into a gore-fest of evil ‘Brightburn’ flips the superhero genre into a gore-fest of evil
“Brightburn” is a simple, but effectively clever horror film that reimagines the typical comic book narrative.
‘Avengers: Endgame’ delivers a truly epic finale
It’s the heart, not the bravado and brawn, that makes this film resonate with emotions that touch not only the characters; but also, the loyal audiences that have steadfastly traveled with them on their journey.
Review: “The Burial of Kojo”
Samuel Bazawule brilliantly redefines African storytelling is this touching, spiritual story.
‘Fahrenheit 11/9’ creates more clutter than conversation
Michael Moore’s latest documentary poses a question even he can’t seem to answer.